river of sustenance

 

at the gate of a deserted house,
a cicada is crying in the rays
of the evening sun      © Shiki

neighbors left hot summer house
allow insects to move in

pressing sushi;
after a while,
a feeling of loneliness      © Buson

parents and children are gone
eating alone so quiet

the coolness
of the sound of water at night,
falling back into the well      © Issa

overfilling my bucket
splashing on path back to hut

autumn’s bright moon,
however far I walked, still afar off
in an unknown sky      © Chiyo-Ni

harvest moon is calling me
reflections on dark water

all my years
floating in the river
a childish heart      © J. Reichhold

living half my life on our
family’s wooden sampan

a flash of lightning:
the screech of a night-heron
flying in the darkness    © Basho

monsoon rains and avian
wildlife are my companions

 

images

wikipedia

 

Italicized “renga” responses © lynn.  Linking to Carpe Diem Haiku Kai .

Basho revisited

First haiku by Basho, second a revision by me…linked to Carpe Diem Haiku Kai

samazama no koto omoidasu sakura kana

how many, many things
they call to mind
these cherry-blossoms!

 

recall, my friend, those

cherry blossom memories!

…many moons ago

 

joel-neff-618786-unsplash 

Photo by Joel Neff on Unsplash

 

renga with basho

Carpe Diem Haiku Kai’s ”Renga Challenge” create a renga with haiku by Basho.


 

rainy season

sea glow lights held up

by the night watchman

pale koi bubble to surface

paddle junk into harbor

 

the blue sea

in waves smelling of saké

tonight’s full moon

sitting with friend on the beach

quietly sip from warm cup

 

on a bare branch

a crow settled down

autumn evening

vermillion koyo fallen

colors faded with sunset

 

 


Haiku © Basho (Tr. Jane Reichhold)           Renga response © lynn__

purple dreams

Kortney at Tweetspeak Poetry hosts Monday prompts, tanka this week.


 

I come weary,
In search of an inn—
Ah! these wisteria flowers!

–by Matsuo Basho, translated by William George Aston

 

purple moon blooms in doorway
scent welcomes dream traveler

– by lynn

image: groupon.co.uk

 

tidal hypnosis

 

man in the moon smiles

beckons to insomniacs

come, be mesmerized

 

Unknown

moon lamp

 

on a silent night

 

Here I use a haiku by Chevrefeuille to create a “troiku” which is a unique form invented by our host at Carpe Diem Haiku Kai.  Like a Russian troika, the original haiku is the “sleigh” pulled by the 3 “horses”/haiku verses.


 

silent night

snow falls softly on the graveyard

the Savior is born

©Chevrefeuille

 

on a silent night

cold moon casts wolf’s grey shadow

abrupt bunny tracks

_____

snow falls softly on

the graveyard where family

lays fir bough wreath

_____

the Savior is born!

child in manger embodies

resurrection hope

© lynn__

 

luna(r)cy

Fireblossom at Imaginary Garden with Real Toads challenges us to write a new poem “looking through a distorted lens”…I think Alice in Wonderland stuff of dreams or Salvador Dali surrealism.  

 

moon is a balloon

i swallow her whole;

now rise from ground,

suffocating in choked

screams at dream demon

until i, balloon-shaped,

reach sharp tree twig–

spring a leak, go hissing

hysterically thru galaxies,

finally flop limp to earth,

flattened and deflated.

searching for helium

… settle for valium.

 

 

egg painting

An “American sentence” is made of 17 syllables…usually not so pretty  🙂

 

Easter egg moon waxes yello-quently on indigo sateen sky.

haloed moisture

 

round porthole window

hazy, lazy, crazy moon

holds back rain’s curtain

 

IMG_0764

photo (enhanced) by lynn

ocean of space

 

Full moon is like white halibut, slipping through nets of fishermen trees.

 

 


Inspired by full moon and book, Crossing the Waters, by Leslie Leyland Fields, an Alaskan fisher(wo)man.

cord of light

 

halo around moon

belly button of the sky

umbilical cut

img_7800

photo by lynn

harvesting the moon

Linking with dVerse Poets for Haibun Monday…

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November 2016 “super moon” 


 

I remember the harvest moon when we still picked corn. My husband’s father hunkered inside the tractor-mounted picker on a clear October night. He throttled ahead, pushing the machine’s snouts into the rows of dry corn, stripping off ears, spitting them into the trailing wagon and leaving bent stalks in its wake. At the end of the field, the satisfied farmer unhitched his full wagon by pulling a rope and riding ahead to wait.

Raised as city girl and college-educated, I learned to drive tractor and maneuver an empty wagon behind the picker, unhitch, then turn to back tractor in front of full wagon. It was like a mechanical dance when performed smoothly. I’d hop down and run to lift tongue of empty wagon in line as picker slowly backed to it until holes lined up and I could drop hitch pin into place. Dad turned machine back into standing corn for next pass across field where my husband met him with another empty wagon.

After hitching up full wagon, I’d climb back on tractor, and haul my load to a corn crib; one of our round wire cribs or a wooden-slat shed. I drove straight past the folded elevator; dismounted to lower heavy hopper to ground. Climbed on tractor again to back the wagon against hopper and raise wagon box with hydraulic hoist, tipping it back.  A utility tractor ran the elevator as I reached over to open/close the wagon’s small back door to allow rolling corn ears to fall into the hopper at my feet. A moving chain with metal flights carried the corn up, up, up to top of roof where it dumped ears into open crib.

I wore earplugs to deaden the noise, my skin chafed in the cold wind, my eyes protested the dust and my body fought fatigue after an already long day of harvest (switching wagon, hauling load, emptying wagon, repeat).  But to witness an abundant crop under a beautiful moon felt like God smiling his blessing on us.
 

shadow hides raccoon

full moon rises on cornfields

kernels of plenty

 

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