Linking to dVerse poetics where Amaya asks us to “cry me a river” with music.
why do i love you still
so deeply it hurts?
cry of man’s solo voice
breaks lonely hearts
sigh of flute’s minor-keyed
lament clearly haunts
try to release emotion in
sealed letters unsent
nigh insane from promised
satin nights unspent
fly to LOVE himself, the
primal truth unbent.
For me, this old song is crying put to music. To love is to be vulnerable and to risk not being reciprocated…but we love anyway and love is real; powerful, often painful.
The Moody Blues first recorded this song in 1967 and here they reunited to sing it again years later.
In my youthful innocence, I first thought the words were “knights in white satin” 🙂 I play flute so I’m drawn to the instrument’s mellow sound.
For believers, love songs can also reflect God’s amazing love for us!
Challenge at CDHK to create an original “fusion” haiku from two classics and then use each line to write a “troiku” series of three more haiku. Here’s my attempt…
crystal brook
reflects the willow trees
birds sing their song
sweet perfume
memories of a loved one
Jasmine blossom
perhaps i shall arrange them in a
vase with fragrant yellow roses.
ah, sweet william,
now that i’ve returned
it is best to plant pansies
in the windowboxes
come away with me and
enjoy the lillies of the valley
let us gather nosegays of violets!
In the Victorian era, flowers spoke secret messages. Sarah at dVerse poets explains the meanings of different blooms (as used in my poem). Say it with flowers!
The tanaga form is part of an oral tradition going back to the early 16th century (eg. Twinkle, twinkle little star). It comes in stanzas of four lines with seven syllables per line. It often rhymes, even rhyming each line of a stanza on the same rhyme sound, but it can have variable rhyme patterns. It can also have more than one stanza. Frank hosts tanaga prompt at dVerse Poets.
a poem in my pocket 
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