kitty litter


there once roamed a fine feline pack

who desired royal avian snack:

“let’s pounce on low crows,

 tasty drumsticks dispose

but the feathers we’ll gladly give back!”


cartoon by Louis Wain

Poetry prompt with Melissa at dVerse to write on Wain’s cat cartoons without using word, “cat”.

caretaker

free image from pexels-pixabay

My friend Marie is a force of and for nature. She’s come by her fierce soul honestly, through the trauma of living with, not one but two, abusive husbands consecutively; and losing an adult son to hit and run. She’s seen her share of suffering and grief. Yet, she cares about others and about the earth, our home. It hurts her to see people trash it.

She encourages everyone who will listen to recycle. When I lived on the farm (where we burned our own garbage) Marie accepted all my empty milk jugs and other plastics to put in recyclables bin in town. Now I live close to town and bring in our recyclables myself, including cardboard and glass. That makes Marie proud.

Marie picks up trash while on our walks and checks garbage cans for plastic bottles within reach. Sometimes her little car is full of bags of materials to be recycled. It’s almost a part-time job for her, now in her seventies. She may be small but she has a big heart and faith. She believes we must take better care of God’s beautiful world.

earth’s creatures fragile
plastic rings can suffocate
choking on our trash


Written for Earth Day 2024, “Planet vs. Plastics” theme and linked to dVerse poets where Frank hosts haibuns.

for the love of cows

i’d like to write a book so that people
would understand good farmers truly care
about the animals they raise and feed
and breed, deliver young, nourish the herd.

it’s more than just business and bottom line
but for the love of cows that farmers will
work hard to keep them growing and alive
thru snowstorms, heat, disease, and parasites.

explain how methane cycle benefits;
how cow manure enhances health of soil.
why farmers plant their fields with corn and hay
to keep cattle content chewing their cud.

cows give us dairy products and real beef
both protein sources good for humankind
we treat our cattle with humane kindness
and they in turn help us to feed the world.

Photo by Harry Cunningham on Unsplash

______________

Sanaa hosts poetics at dVerse today featuring poems of Maggie Smith. I’ve written in monologue style with no end rhyme but rhythmic pattern of iambic pentameter.

american devolution

women want to be men, men pretend to be women, kids are confused.

illegals will vote between narcissist or puppet for president.

C.R.T. and D.E.I.* work to antagonize and divide us.

citizens fear christian nationalism as country goes to hell.

__________

*CRT is critical race theory, DEI is diversity, equity & inclusion.

heirloom lost

my box was antique blue
with a heart-shaped lock,
tiny key and gold filigree-
patterned lid, lifted fragilely
on two hinges to reveal tray
of velvety divided squares

my box held real jewelry,
leftovers from my mother
and grandmother which i
imagined in woke-dreams
they’d worn to royal teas
and exotic travels overseas

my box was old, well-used;
velvet rubbed bare in spots
till hinges broke irreparably
and i left childhood dreams
behind, discarded with box
but kept jeweled memories

______________

Patterned after Gillian Clarke’s poem, “My Box” and shared with Kim at dVerse poets OLN.

that’s entertainment?

Angling Agent: I can help you get your big break if you’re ready to deal.

Undiscovered Diva: Ok, yeah. I could use a break so just tell me what I need to do.

Agent: Your songs are too happy…you gotta write something darker, create an edgier voice, if you know what I mean.

Diva: But I think music should lift people up…that’s what it does for me.

Agent: That’s too predictable. You need to push the envelope with revealing costumes too.

Diva: I want to sell my music, not my body and soul!

Agent: Look, if you impress the right people, they’ll give you a million dollar record contract!

Diva: Do they even produce records any more? I just want to make my music.

Agent: What does it matter, that? The stars we see are already dead…and dead stars still burn.

____________

Prosery prompt with Dora at dVerse. Write 144 words and include this line from poet Amy Woolard: “What does it matter that the stars we see are already dead.

spiritual eclipse

_______

the darkness of sin’s
shadow covers earth
yet souls yearn for light

our true king’s crown
mysteriously revealed

rebels risk blindness
if we underestimate
your intense glory!

_______

As we anticipate total eclipse on April 8, 2024

NASA photo of 2017 eclipse

common incivility

the grackles are back!
their cackles they stack
with hackles raised on
their backles so black;
no more dirty bird-fights
in hood should we lack!

______________

Cornell Lab: All About Birds

stairway to heaven

Linking to dVerse Poets Pub where Kim hosts poetics on the theme of “buildings“.

______________

come, walk into
red-brick city church
of my childhood years
impressive facade soars
with cross atop central peak
an ancient yet beloved building
which features wide concrete steps
to enter through two heavy-hinged doors

come, climb up more
stairs to enter sanctuary
even higher to three balconies
hung below exposed-beam rafters
steps creak predictably under weight of
people with friendly faces and familiar voices
edifice embraces a warm welcome for regulars
and visitors alike with smiles, handshakes or hugs

come, sit down
on long wooden bench
which stood sturdy for years
smoothed by past congregants
sliding across row to make room
one central aisle with two side-aisles
all lead to table and raised stage in front
where God’s open word remains focal point

come, look up at
the light of the world
large stained-glass Jesus
who carries little lamb close
as he walks above choir loft with
staff in hand while sunlight filters in
organ begins prelude, robed choir enters
the minister stands and we all rise to worship

______________

rock collector

swaddled baby lay in stone manger

boy grows skills as carpenter mason

learns plumb, rule, chisel from father

is tempted to turn stones into bread

but will not live on devil’s hard tack

rabbi whets hunger of discipled hearts

prompts petra’s rock solid profession

weeps on palm littered road into city

children and stones cry out his praises

but hard hearted crowds yell “crucify!”

he stumbles with cross on same pavers

as suffering hones his mission’s passion

earth quakes, rocks split, he yields spirit

wrapped body lay in stone cold tomb

he leaves grave clothes folded on slab

now actively quarries with measured cuts

to raise new temple built of living stones

artwork by Mike Moyers 2022

love calls in spring

farewell, white lion; we hear spring’s love call,
lone turtledove coos like sentinel in orchard;
schoolgirl swings carefree from supple branch as
she and tree both bud-burst into double smiles.

sun’s gaze reflects golden dawn on water and
we breathe in heady floral of narcissus blooms;
drink goblet of lemon beauty offered by daffodils,
open beautiful eyes to every greening possibility!


Merril hosts dVerse poetics incorporating names of daffodil varieties (in italic) and a painting by Alfred Sisley (1881) entitled, “Orchard in Spring”.

terminal

She hadn’t visited for a whole week and felt a little guilty. She was his only daughter and had moved him to be closer to her. The staff at the memory care unit were attentive and Dad seemed well-adjusted to the move. He was eating better than before and sometimes when she came, they could have an actual conversation.

When she arrived that afternoon, he was sitting in a straight chair at the dining room table, perusing the local newspaper. “Hi Dad! How are you?!” she greeted, a bit too cheerily. He startled and stared at her with a troubled expression.

“What are you reading?” she queried in a softer voice.

“The obituaries…didn’t see my name yet,” he responded dryly.

She hid her smile and hesitantly asked, “Anybody we know?”

“I didn’t recognize all of the names swallowed up by the cold…”

_________________

A 144-word prosery prompt by Bjorn at dVerse Poets, including a line by Swedish poet laureate, Tomas Tranströmer (the final line of my prosery).

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